Wink most when widows wince. Here's Wiki: Supreme fiction The imagination loses vitality as it ceases to adhere to what is real. Stevens proposes that religious fictions have no greater status than fictions of the imagination that include sensuality and play. Wink most when widows wince. The blasphemy of comparing the penitential sacrament to something as unsacred as poetry? The main idea of supremacy of poetic imagination is something like Keats's ideas of imagination. Take the moral law and make a nave of it And from the nave build haunted heaven.
Please if you have any suggestions for improving our site. Steinman Stevens's remarks as well as the style he adopted suggest that his early poems continued his insistence that poetry was part of the world. Like a typical modern American poem, this poem is in a colloquial type of language. Take the moral law and make a nave of it And from the nave build haunted heaven. And palm for palm, Madame, we are where we began. Poetry is the supreme fiction, madame.
Now we come to the part of the program known as The Mother Poem. Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones. Many people don't immediately understand Shakespeare's language, but it gains nothing from that. It can convert the abstract into concrete. This will make widows wince. Gary, thanks for your explanation.
Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones. He even mimics the sound they make as they walk along whipping themselves, as if it was a popular tune. I love the jovial hulabaloo because to me it is like Jove god, Universe laughing uproariously at man's pomposity and foolishness. Poetry provokes pleasure in anyone including priests, nuns and widows. View All by About Great-Quotes. Squiggle, squiggle, squiggle, eh, Mr Stevens? It is mainly a defense of poetry.
But where is the poetic value? This poet, like so many before and after, has a hard time explaining himself to others. Also, this widow could represent the Christian woman, who is wincing at such crazy ideas spoken by the speaker of the poem. But now, almost a decade after her death, firmly ensconced in his poetry vapor bar, he can carry on the argument in his head, on his own terms. Wink most when widows wince. His early celebration of commonplace, specific details, however, is difficult to reconcile with the poetry and poetics of 1915-1936. Where is the thing expressed by this poem that is not only well expressed but also meaningful in a less than trite way? And palm for palm, Madame, we are where we began. But it is still odd that you exclaim Damn but I love this poem.
She is, as has been demonstrated as far back as Plato, an exclusive mistress who does not take the received wisdom of others kindly, especially that which is designed to organize — a. He says that his metaphysical and imaginative poetry can be 'amoral'. Rather, poetry is something that the religious as well as the atheistic have been using to gain their own kinds of heaven: one will gain the heaven of faith and the other will create the heaven of imagination. Wink most when widows wince. She represents the accoutrements of fundamental Christianity within of the conflict between conventional religion and the spiritual connection to the earth found through imagination, which, in the minds of Stevens and philosopher , includes the pursuit of a sensory-minded indulgence in life.
The fact that someone can accomplish this with only twenty-two lines makes it eligible to be the best poem ever. Once informed as to what the words mean, however, there remains the meaning of the lines. The author also repeats the subject planets. He develops an alternative to the prayers and hymns and poems that celebrated Christs entrance into Jerusalem on Palm Sunday. Copyright © 1985 by the University of California Press. I can see the woman who is being subjected to this monologue become more and more agitated. But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets.
This sense is heightened, once again, by word sound. Poetry need not be vulgar or be only about love and sex. I am the angel of reality, seen for a moment standing in the door. Thus, The conscience is converted into palms Like windy citherns, hankering for hymns. This will make widows wince. The poem is difficult to paraphrase because the poet deliberately uses unusual metaphors and expressions. Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones.
Stevens proposes that religious fictions have no greater status than fictions of the imagination that include sensuality and play. The old woman, then, represents the hell, fire, and brimstone that cause all good events and pleasurable activities to be subverted by feelings of dread. The depth of emotion behind it must inevitably remain sublimated. I am the necessary angel of earth, Since, in my sight, you see the earth again, Cleared of its stiff and stubborn, man-locked set, And, in my hearing, you hear its tragic drone Rise liquidly in liquid lingerings, Like watery words awash;. New York: Libary of America, 1997.