In doing so, he experiences the very lesson he's been trying to learn since he first picked up that Bible from out behind the ventilator grate. After Granger helps him accept the destruction of the city and the probable annihilation of Mildred, Montag looks forward to a time when people and books can again flourish. Montag has always enjoyed his job, that is until Clarisse McClellan comes along. At the end of the novel, he hopes for the future and no longer dreads the present. He's confused about his relationship with Mildred.
He's a third-generation fireman who takes his job seriously but grows restless as the story progresses. People with influence from another person, can change drastically. Fahrenheit 451 is a science fiction novel written by Ray Bradbury, the main character Guy Montag undergoes many changes within himself. The two make plans to reprint books on their own, but before the opportunity arises, Montag is caught with books in his home and is forced to burn it down. He wants to know what he is reading and what it is about. Lured by books, Montag forces Mildred to join him in reading. Guy Montag, the main character in Fahrenheit 451 by Ray Bradbury, goes through a huge change in his life.
He has inklings that all is not right with his world even before he meets Clarisse, and his actions show it. Montag wakes up from being numbed and realizes that he is unhappy. At least, this is what her uncle, whom she gets many of her ideas about the world from, describes her as. In Fahrenheit 451, Bradbury uses the theme of the relationship between conformity and rebellion to illustrate how books enlighten people and how an oppressive government can stimulate people to revolt. From almost the beginning of the novel, he seems to suspect there is something different about this fireman; he even sets the Mechanical Hound on Montag, trying to extract a confession from him.
The fact that Montag actually thinks about Clarisse's question later on and starts admitting to himself that he is not happy is a big step for Montag. When he speaks, he imagines her talking through his mouth. Take the shot from the weapon. By jumping into the river and floating downstream, Montag cannot be detected by either the Hound or the helicopters. The adulation of this novel is due to its plethora of symbols, metaphors, and character development.
Ignorance Is Not Bliss The other big crisis for Montag is simply not knowing. Therefore to find out, Montag asks Mildred if she remembers where they met the first time. Montag begins to question his life, intelligence, and morals after meeting a young woman named Clarisse, she thinks about why things happen as opposed to how things happen, her mentality begins to rub off on Montag out setting his transformation. Her suicide attempt, which she refuses even to acknowledge, clearly indicates that she harbors a great deal of pain. For most of the novel, Guy Montag is an intermediate step between the ignorant book-burners and the knowledgeable rebels.
It makes sense, therefore, that the protagonist himself should be swayed by opposing messages. In this passage, Montag loves his job as a fireman and enjoys the feeling of burning and. Montag watches helplessly as jet bombers fly overhead and attack the city with. He is disturbed when people who react to having their homes burned down are put into mental institutions, or martyred by burning with their books. Beatty, who rarely drives, takes the wheel and propels the fire truck toward the next target — Montag's house. When he arrives at Faber's home, the old man tells Montag of book-lovers in the countryside. He… 1378 Words 6 Pages including Fahrenheit 451 which not only conveys concepts such as freedom of religion, but of the dangers of replacing communication with mass media, as well as advocating freedom of expression and ideas.
He refuses to turn Faber in even though he should have done so; he torches Beatty rather than lead him to Faber's house; he mourns Clarissa and is, indeed, the sole one to do so ; and he demonstrates enduring patience and loyalty to his pathetic wife even after she betrays him. His easy acceptance of his own death by burning at the end of the novel seems to prove that he is ready to end his torment. Then after he goes home and ponders this question, he realizes that he isn't happy at all. He's seen books destroyed, now he sees them being rebuilt in the minds of Granger's gang. When Montag is desperately in need of a friend and confidante, he thinks about Faber. As a child Bradbury learnt about the burning of the library of Alexandria thousands of years ago.
A duality evolves, the blend of himself and Faber, his alter ego. Beatty classifies Montag's problem as an intense romanticism actualized by his contact with Clarisse. However, as the novel progresses, Montag becomes increasingly discontent as he realizes he has been living an empty, unfulfilling life. Beatty is continually a threat to Montag. If Montag can ascribe his actions to Clarisse, or to Faber, or to his dirty hands, then he isn't responsible for his crimes. He sensesthat it is important; he is also beginning to realize that it is atreasure that might soon be lost to humankind; and then he beginsto act on these feelings. Shockingly, those predictions made half a century ago by Ray Bradbury have been increasingly holding true for our society today.