You must always start with something. Analysis of Girl Before a Mirror Picasso's Girl Before a Mirror, again, is a portrait of his young mistress. By March 1936 - December 1937, Paul Rosenberg, Paris, acquired from the artist. Picasso and Braque developed their ideas on Cubism around 1907 in Paris and their starting point was a common interest in the later paintings of Paul Cézanne. One of them being that the woman was terribly insecure and as she looked into the mirror she saw all her flaws. Of all the women that Picasso painted, I think that the images of Marie-Therese Walter are the most extraordinary. In her reflection in the mirror, she sees that her body is aged and she is not very happy about it.
While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period 1901—1904 , the Rose Period 1904—1906 , the African-influenced Period 1907—1909 , Analytic Cubism 1909—1912 , and Synthetic Cubism 1912—1919 , also referred to as the Crystal period. There are numerous other interpretations of the painting and it has remained an enigma for art critics for many years. Maria Teresa holds a mirror to hand, as if he wants to touch this unreal reflection. Like no other works, the paintings depicting Maria Voltaire are of great interest — collectors from all over the world are ready to pay a tidy sum for them. The use of the shapes and the eccentric colors made it stand out from many other works on display. Opposing passion struggle, and the viewer can see it.
His later work often combines elements of his earlier styles. . While the woman is painted with brighter colors and exhibits a more beautiful face, the figure in the mirror is darker and more grotesque. Pablo Picasso was a Spanish Painter who was born in the 19th Century. Tags: , , If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page www. The bright colors represent the times together.
Vanitas paintings contain specific items that give special meaning to the painting, typically related to man's mortality. Further, Picasso always used green striped clothing when he was at work. Introspective and contemplative, this woman is concerned with her own inner self, her fragmentation, and her mysteries, but not her sexual allure. In her reflection her stomach is like a deflated balloon, her breasts are lopsided and sagging, and her face is aged. One way of interpreting the painting is when the woman looks at herself in the mirror; she is seeing herself as an old woman. The primary theory, however, is that the darkened face represents aging and death, thus the girl is confronting the inevitability of aging. Why then did he opt to transform her into the decidedly geometric figure we see in the final product? This tension creates a fragmented self, a lack of knowing part of the self.
Girl Before a Mirror shows Picasso's young mistress Marie-Thérèse Walter, one of his favorite subjects in the early 1930s. He proceeds in the work from his intense feeling for the model and paints her in a rousing and mysterious fashion. Into business, politics, philosophy, life, traveling, tennis, friends and family. Though a woman, she is still a self-representation of the male artist as Picasso goes on to remind us. To use copyrighted material in print or other media for purposes beyond 'fair use', you must obtain permission from the copyright owner. Overall, one can say that the young woman is different from what she sees in the mirror. When you look closely at the image, you can interpret many different symbols within different parts of the painting.
It is this idea that has crept over her mind and making her feel vain. All in all, I believe that Picasso had a talent of portraying women in many different ways. If you look at the Cubism painting Picasso uses a lot of shadow and fuzzy lines in the back ground behind the women. I believe that these women probably were not painted by picture but by imagination and emotion of Pablo Picasso. Amazing background with such bizarre patterns. Now that I know that he painted Olga from a photograph of her does not change my mind that the piece reflects the cubism paintings. Overall, one can say that the young woman is different from what she sees in the mirror.
I really love his work and the way he painted. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. At least there is the implication of fecundity, of someone who is very beautiful, very vital, very sexual. It is sheer beauty and eye pleasure. She reaches out towards the reflection, as if to embrace yet another part of herself that she sees in the mirror.
Early society emerged from a century of civil strife, developing social responsibility and a clear demarcation between the haves and the have-nots; and it still embraced sexual repression. The rounded arch in the foreground completely balanced diagonal lines that we see in the background. Even with backgrounds that are normally placed to be a backdrop and mainly they're to assist the main subject. I also felt overwhelmed by this painting. It was completed in the year 1932 and has been interpreted in many ways by the critics as well as art fanatics. Further, the fact that she has to move into the next step of life where she loses her vital strength, beauty and physical shine to become a responsible mother is shown through the reflection.
This article is written like a that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Society felt fragmented from stability and a sense of the future. One side of the face is filled with darkness, while the other is crying for hope — a light that can bring the woman out of all her miseries. Due to the usage complementary colors, the created picture is very exciting and beautiful. March 2015 Girl before a mirror Artist Year 1932 Medium Oil on canvas Dimensions 162. The painter uses simple shapes and lines to create the body of the woman, but he remains successful at displaying her both in side profile and frontally as she peers into a mirror that reflects a woman she is not. Playing on the tennis team for Lewis University.