He says he was so distraught with this unrequitable love, after seeing her at Sunday church service, that he tried to die beautifully and pleasantly by sleeping in a bin of oats strewn with elder flowers, since sleeping under an elder tree was thought to be dangerous. Miss Julie appears in the doorway, and Jean becomes polite and charming. He is not a Frenchman, he is a Swede, but he can speak French, because some time he worked in a large Swiss hotel in Lucerne. She is devoutly religious and apparently betrothed to Jean, although they refer to this marriage almost jokingly. These rules are all tightly linked with class, and how people of different classes should interact with each other.
He really behaves like an aristocrat with his manners, but Julie always wants to be in the lower class. Jean proposes that they flee together. The relation between Julie and the count is, at a literal level, the relation between father and daughter. Jean is powerless by the sound of the Count's voice. Disgusted, Christine decides that she cannot remain in the house. Strindberg notes that love is like a hyacinth, which spreads roots in darkness before the bud can grow towards the light.
Strindberg believes that Miss Julie cannot live without her honor and therefore commits suicide. She had access to the best of luxuries and yet could heavily interact with the servants, such as participating in their Midsummer Eve celebration and dancing with Jean, without severe consequences other than some gossip among the servants. Because Jean is not a nobleman, however, he does not have the same superstitious connection to honor, which allows him to survive his tryst with Miss Julie. He is unconcerned about her fears of the Count learning of the scandal, and reveals he is not willing to die for her as he suggested. She pledges to stay, to wait for her father and confess everything. Jean is a man capable of the privilege of the aristocracy. He says that he danced with Miss Julie, the Count's daughter, at the local barn.
Upon hearing of the story, Jean declares himself of superior heritage, as Julie is the daughter of an arsonist. He cannot promise grace but tells her that she is definitely among the last. Sometimes, Julie frankly flirts with the valet, while the same time she pushes him away. Now Kristin and Jean have to look for a new place: you cannot serve people, whom you do not respect. The action takes place in the kitchen of Miss Julie's father's manor, where Jean's fiancée, a servant named Christine, cooks and sometimes sleeps while Jean and Miss Julie talk. The animal image Strindberg uses helps him exemplify his naturalistic view. Nobody thinks of them badly, because the lady and the valet are unthinkable.
Desperate, Julie has an idea: the three of them can flee together and open that hotel. Strindberg even posits that Jean may become a count himself one day in Romania where you can buy aristocratic titles and, if not, his son will likely go to college and could even become a lawyer. Strindberg believed that the aristocracy was an outdated and dangerous social model, and hoped for the societal ascendency of self-made men like Jean, who adapt to and take from their environments in order to actively improve their social standing, instead of inheriting power via a title and wealth. In this respect, naturalism is akin to realism. Strindberg, an atheist when he wroteMiss Julie, later converted to Christianity under the influence of the writings of Emanuel Swedenborg. It is she who is degenerate not him.
However, it is not a tragedy in the traditional sense. While running from there he saw Miss Julie. Miss Julie Essay Johan August Strindberg, was a Swedish playwright, novelist, poet, essayist and painter. Although Jean does not love Julie he still plays along with Julie, saying kind words to Julie that were not from his heart. He considers her mad since she went to the barn dance, danced with the gamekeeper, and tried to waltz with Jean, a mere servant of the Count. She exits to prepare for her departure. According to Jean, Miss Julie's fiancé abandoned her after she attempted to train him, making him jump over her riding whip in the barnyard as she beat him.
Miss Julie - The play's twenty-five-year-old tragic heroine, she is doomed to a cruel demise. No matter how many times she attempts to control the servants or spend time with them, satisfaction eludes her because she is a member of the upper class. Julie asks Jean to tell her that the first will receive the gift of grace. GradeSaver, 23 July 2017 Web. The dog imagery in the play is also used to demonstrate the difference in social classes. The relation between Christine and Jean does not invite spotlight here. Because their relationship is the relationship of self-fulfillment, this relationship is bound to turn into the relationship of domination, of power.
She exclaims that she wants to see Jean's head on a chopping block and his entire sex swimming in blood. Later on that night Jean and Julie sleep together. Tidblad however, at the age of almost 50, was replaced by the 27-year-old Anita Björk. Finally, in the kitchen, there are two short calls and Jean says to Julie that it is terrible, but there is no other way and Julie should go. Plot Overview Miss Julie takes place in the kitchen of the Count's manor house on a Midsummer's Eve.
She asks Jean if he knows of any way out for her. Miss Julie asks Jean if he has ever been in love. Julie points out that he needs capital to open a hotel, and she has not a penny to her name. . Christine or Kristine : The cook in the Count's household.