Though Mary seems to show signs of recognizing that she made Bigger uncomfortable, she never gets a chance to develop these feelings as a character since her life is tragically cut short soon after. A symbol of the proletariat empowered by violence? The only thing to prevent it is my memory of the declaration I've just made. He decides he should leave this crazy girl alone. But whether they feared it or not, each and every day of their lives they lived with it; even when words did not sound its name, they acknowledged its reality. Bigger is eventually cornered, and though he never submits, police tactics are too powerful for him and he finally gets caught.
Native Son is a good novel with a compelling story about the racial division in America society. Richard Wright's Native Son is the story of a crime, though not so much the story of the crimes of the book's protagonist, Bigger Thomas, the directionless, impoverished amoral black youth eking out an existence in a cold and dark Chicago in the late 1930s. در همین آغازِ ریویو باید بگویم که به نظرم رمان خیلی یکنواخت و صد البته خسته کننده بود عزیزانم، این داستان بر محورِ زندگیِ تلخ و سرشار از خشم و نفرتِ سیاه پوستی به نامِ «بیگر توماس»، میگردد. To think that some of Bigger's case was based on an actual trial of a man named Robert Nixon is almost unbelievable. Bigger, help me lift Vera to the bed, the mother said.
His acts give the novel action but the real plot involves Bigger's reactions to his environment and his crime. No matter how much blacks wish to be free, they will never be free. Left with no other options, Bigger takes a job as a chauffeur for the Daltons. Bigger was always getting into trouble as a youth, but upon receiving a job at the home of the Daltons, a rich, white family, he experienced a realization of his identity. He just has to take out the ashes and sweep. Certainly, Wright took chances in the course of writing this novel.
This fear causes Bigger not to cower alone, however; it creates in him an even more pronounced rage at society, which he regards as the cause of his fear—thus establishing a cycle of fear and anger that propels Bigger throughout. Once again, literature is my way in to at least trying to understand a complex and foreign issue to me and it came at just the right time. He plans a plot to rob the delicatessen of a white man with his three friends who are to all meet back at the pool hall later in the afternoon. Turn your heads so I can dress, she said. Bigger's dream is to become an aviator but instead he is given a job through the relief agency-a chauffeur for a white millionaire-philanthropist named Henry Dalton. When she does not, he tells Peggy, who finds that Mary has not slept in her bed.
On top of everything, she is dragged into a vortex that her faint protestations cannot stop. He acts out of fear with this fake wall of toughness in front of him. Her blindness serves to accentuate the motif of racial blindness throughout the story. Dalton does not sense that Bigger is in the room with her, nor that anything else untoward has happened to Mary. There is little the characters can do to escape racial discrimination. He represents the idealistic young Marxist who hopes to save the world through revolution. He has seduced a white girl, raped her, suffocated her, and now decapitated her, all to avoid losing his job and going to jail.
Convinced of his innocence, Job asserts that he will stand proud and tall in God's presence. They drink heavily and share the alcohol with Bigger. He could take the trunk and put it in the basement and put the car in the garage and go home. This short but poignant sentence not only sets the tone for the whole story, but also engages the audience to share his despair, hatred and relief. In this way, although the job pays well, it also serves to reinforce the notion that African Americans are inferior to whites in Chicago, that servants must care for their bosses absolutely, and that the social life of a servant is beneath consideration—it simply does not matter to the Daltons. The city of Chicago, too, looms as a character in itself—like Bigger much of the time, brooding, dark, and violent.
He moved to Chicago and struggled to support himself with menial jobs. The author was almost lecturing the reader, hammering in his message all too clearly. Dalton made him go to night school and he got a government job. Vera came into the room and placed knives and forks upon the table. He joined the John Reed Club, a communist group.
Bigger is soon contracted by the millionaire owner of his tenement building to work as his driver. Dalton had given millions of dollars to black people. Bigger, however, was not an exclusively black phenomenon. Bigger Thomas is a murderous and rapacious young man who through his horrendous acts of rape, theft, and violence somehow manages to elicit an amount of sympathy. And that was Richard Wright's point. Finally, despite being held back by the other two, Bigger leaps on Gus and considers stabbing him or beating him up, in order to force him to go along with the heist.