Archived from on October 3, 2012. The heroine has been told she's unwell and that this isolation will be good for her. If that woman does get out, and tries to get away, I can tie her! It is a very bad habit I am convinced, for you see I don't sleep. There is one that commands the road, a lovely shaded winding road, and one that just looks off over the country. One of the most ironic lines in The Yellow Wallpaper is, ''He is very careful and loving, and hardly lets me stir without special direction.
The imagery presented in the wallpaper through the narrator's words show her descent into insanity coupled with her desire for independence. The vivid descriptions allow the reader into the psyche of the narrator, which illustrates her ever-deepening mental illness. Else, why should it be let so cheaply? I suppose John never was nervous in his life. Of course if you were in any danger, I could and would, but you really are better, dear, whether you can see it or not. Since he is a so-called wise physician, he believes that he will be able to cure his wife. While under the impression that husbands and male doctors were acting with their best interests in mind, women were depicted as mentally weak and fragile.
A lovely country, too, full of great elms and velvet meadows. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. I cannot keep count of them, though I have tried conscientiously. The play was directed by Philip Cuomo. Of course I don't when John is here, or anybody else, but when I am alone. I got so angry, I bit off a little piece of the corner. He said we came here solely on my account, that I was to have perfect rest and all the air I could get.
She holds a journal on her lap, and a pen rose to her chin. Finally, she breaks with sanity, and the end of the story suggests, although does not actually confirm, that she attempts suicide. Charlotte Perkins Gilman gave the reader different literary analysis to join the unjustifiable… 1697 Words 7 Pages to accepting almost the exact opposite of the traditional idea. I have locked the door and thrown the key down into the front path. And then when the sun came and that awful pattern began to laugh at me, I declared I would finish it to-day! It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people. She soon begins to see a figure in the design, and eventually comes to believe that a woman is creeping on all fours behind the pattern. The sentences in this section are longer, they flow.
The front pattern does move-and no wonder! It is like a bad dream. John is kept in town very often by serious cases, and Jennie is good and lets me alone when I want her to. It is the strangest yellow, that wall-paper! There's one comfort, the baby is well and happy, and does not have to occupy this nursery with the horrid wall-paper. Another possible theme is being confined to a certain area for long periods of time can lead to insanity. He is a physician so he knows these things.
Why, I wouldn't have a child of mine, an impressionable little thing, live in such a room for worlds. How those children did tear about here! Her parents, Mary Fitch Perkins and Fredrick Beecher Perkins, divorced in 1869. It is no use, young man, you can't open it! A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity but that would be asking too much of fate! The room with the yellow wallpaper is a jail for the narrator and represents the control that John exerts over her. But I can write when she is out, and see her a long way off from these windows. I don't want to go outside. And I heard him ask Jennie a lot of professional questions about me. The wallpaper itself holds the narrator captive in its yellow blotches and mushroom shapes.
I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He stopped short by the door. I remember what a kindly wink the knobs of our big, old bureau used to have, and there was one chair that always seemed like a strong friend. Much of this theme of imprisonment is included to represent female oppression. It creeps all over the house. Forgoing other rooms in the house, the couple moves into the upstairs nursery.
Different possible themes in The Yellow Wallpaper. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Lanser, a professor at Brandeis University, praises contemporary feminism and its role in changing the study and the interpretation of literature. Here, the narrator begins to imagine seeing another person behind the wallpaper—someone she characterizes in grotesque language. Given that the title of the story is The Yellow Wallpaper, it is safe to assume that this is more than simply a feature of the house that the narrator and her husband are living in. She laughed and said she wouldn't mind doing it herself, but I must not get tired.
I often wonder if I could see her out of all the windows at once. I don't sleep much at night, for it is so interesting to watch developments; but I sleep a good deal in the daytime. There is nothing so dangerous, so fascinating, to a temperament like yours. Behind that outside pattern the dim shapes get clearer every day. But I must get to work. But I must get to work. The kind that squeaks ever few seconds upon leaning.
So, our narrator is physically and psychologically drawn into the worn-out, torn-up wallpaper. The narrator is a woman; she has no name, remains anonymous throughout the story. Gilman had, too, had firsthand experience with the physician in the story. I've got a rope up here that even Jennie did not find. We shall sleep downstairs to-night, and take the boat home to-morrow.