She tells him enough about herself for him to know that she does not belong on a backwoods potato farm. Nine months down the line, she remarries again, to a third husband, Tea Cake. In this chapter, ships on the horizon represent dreams that are unattainable. She informs Pheoby that Tea Cake did not run off with the money that Joe left her. When she tries to talk with Logan, he keeps blabbering about how grateful she should be to have him, considering her parentage.
This theme of judgment will continue throughout the novel, as Janie will be judged by her husbands and others. Symbolism Throughout the essay, there is the use of imagery to advance the plot of the story. The novel starts and ends with Janie and Phoeby sitting on the front porch. Joe Starks is on his way to become one of the town's leaders. Janie speaks, acknowledges them, and goes on, and their indignation is great. Finding your voice as a woman is crucial. He accuses her of degrading him — honest and hard-working man that he is.
Their eyes were watching god theme essay will highlight in detail these pieces of imagery and what they reflect. The reader finds further evidence of how Janie is closely connected with nature in the way that she measures time. Another motif is the issue of race and racism. Surely her husband — they assume she married the man, the guitar-playing, roving Tea Cake — took her money and probably went off with a younger woman. While Logan is looking for ways to make Janie work, Joe makes her dream. Janie's ability to tune out the townspeople's gossip shows that she has reached inner peace.
Pheoby criticizes the townspeople for their judgmental speculations about Janie and the reasons for her return, though she then proceeds to ask Janie herself about Tea Cake, and whether or not he stole her money or ran off with another woman. As she walks through the center of town to her old home, all the people of the village stare at her and judge her. Joe Starks fulfills many of the things that are lacking in Janie's life. After all, his first wife chopped wood… blah blah blah. Analysis: There are two minor details in this chapter that mark the turning point of Janie's relationship with Logan.
De Grand Lodge, de big convention of livin' Janie refers here to the common experience of belonging to fraternal or church organizations and going to their conventions and meetings. Later that evening, Nanny prays to God saying that she feels sorry for Janie's unhappiness but that she did the best she could. Their eyes were watching god feminism essay reveals how the community feels about feminism in general. Women do not get disappointed because they are striving for their dreams while men barely even try. The division between Hurston's literary language and the characters' colloquial dialect reveals Hurston's interest in the theme of language, and in insisting that the dialect is just as valid or important as the literary language. Mouth-Almighty someone who talks too much.
At this point in the novel, Hurston moves away from third person narrative to free indirect discourse. Nanny ran away from the plantation that night and named the baby Leafy because she hid her in the leafy moss. Joe asks Janie to refer to him by a special nickname — Jody. It means that she has a strong foundation but still needs to figure out and explore herself and identity. When Logan returns, Janie and he fight again: Logan reiterates his belief that Janie is spoiled and ungrateful, and Janie threatens to run away.
Running away from her arranged first marriage to finally marrying the third time and to a much younger man, all her actions caused her to be judged harshly by society. Furthermore, Janie now has a means of escape because she and Joe have plans to meet. When Logan confronts Janie, he compares her to his first wife, who chopped wood for him without making any complaints. Pheoby defends her friend and goes off to prepare Janie dinner. She has gone through many trials and hard times in her life. The symbols are of freedom, love and the erotic. This does not, however, last for long as he treats her badly.
At this moment, the woman's identity is revealed: her named is Janie Starks, and she left town with a man called Tea Cake, who was much younger than Janie. Tea Cup: Third husband to Janie. Janie returns to the kitchen to finish some breakfast preparations, then leaves the farm. The women see her as a disaster, but the men see her as still possessing physical attraction. It is significant to Janie that Logan stops talking to her in rhymes, because for Janie, rhymes are linked with love. First, it is important to note that Janie feels no affection or interest in Johnny prior to her sexual epiphany under the pear tree. There are quite a variety of their eyes were watching god essay questions that one will encounter relating to the different aspects of the book.
Janie settles down in a pleasant spot in the yard to do her potato work. Janie's grandmother arranges her marriage to Logan Killicks, a well-off farmer but who is much older than she is in a bid to help her secure a good future. Janie is linked with a blossoming pear tree. He gradually increases the number of tasks he thinks she should do: cook, care for the house, now chop and haul wood, and soon plow and plant potatoes. Janie's consciousness is usually described in natural terms.